Ask the Artist: Justin Peterson, Director Digital Content Production
Working for the Boston Celtics' digital, social, and broadcast channels, and why he uses Sapphire and Mocha Pro in After Effects.
Justin Peterson is a five-time regional Emmy Award-winning artist and leads the video production team at the Boston Celtics. In addition to managing the production group, he personally focuses on post-production and his growing infatuation with motion graphics. He uses the Adobe Suite and Cinema4D for projects that are featured on Celtics-owned digital, social, and broadcast channels. Follow him on Vimeo or visit his site.
Where are you from and how did you get your start in the industry?
Born and raised in Omaha, Nebraska, I got my start at the University of Nebraska-Lincoln College of Journalism. The opportunity to call football, basketball, and soccer games on the radio, write and broadcast local news on TV, and produce multiple long-form documentaries provided me with a great foundation. Once I realized I enjoyed production, I took a job working as a student PA at HuskerVision in the Nebraska Athletic Department. Following graduation, I took an internship with the US Olympic Committee. It was such a cool experience to see tapes I had never heard of with footage of early Olympic games. I did screening dubs on an analog router and was able to shoot and edit matches and events leading up to the Olympics in Beijing. My first full-time gig took me to the University of Illinois Athletic Department where my focus was creating videos for the web. I learned to write some basic HTML/CSS to post content to fightingillini.com and streamed games to fans in 240x180 (Yes, it was merely a pixel on the screenโฆand still buffered). That experience gives me a great appreciation for the broadcast quality streams we get on our mobile devices today.
What Boris FX plugins do you use? Which effects/features do you rely on most?
Sapphire has been my transition package of choice for years. Blurs and glows have been a staple since the beginning. Iโve begun to dive in and create my own nodes, but thatโs a work in progress. Light leak, whip pan, and film roll have also earned their due in my workflow. When it comes to roto, tracking, or stabilization, I use Mocha Pro.
What project are you most proud of and why?
One of our recent projects this offseason was a short docu-series called Lucky Rooks. We took fans behind-the-scenes with our draft picks during Summer League. It was a large undertaking both logistically and in execution. As a group, we had never done a series at that scale. The whole group was a little out of their comfort zone, and thatโs a great place to be.
How do you prep before a big project?
My son has me reading โOh, The Places Youโll Goโ by Dr. Suess at bedtime. Thereโs a line in the book about the waiting place being the most useless place. Itโs true. Every day is prep for the next opportunity. Iโve found that consistency in proactively adding skills to my arsenal is the best way to feel like I can tackle any project that comes up. Itโs an iterative process and isnโt meant just for big projects.
Whatโs a keyboard shortcut you canโt live without?
Ctrl/CMD + Sโฆthat muscle memory is so strong that itโs probably pushing OCD levels.
How do you keep yourself fueled/your favorite snack when youโre in an epic session?
I enjoy being in a quiet space, putting on my headphones and tuning out the world while jamming keyframes to some classical music and a hot cup of tea (usually Chai).
Where do you turn for creative inspiration?
Vimeo and wherever my feet take me. I follow a ton of artists and studios on Vimeo who produce unbelievable work and that curation network has expanded over the years. I intentionally donโt seek out sports content as inspiration. I enjoy finding external influences to break down and incorporate some elements into my worldview. That can be a sign on the street, patchwork bricks on a building (was it intentional, an accident, or just a practical solution?) or content in my feed.

What do you do when you start feeling creative burnout?
My two young boys are a wonderful dose of reality. Toddler curiosity and wonder help me reset and see the world from a different perspective. I should have also included them in my inspiration because their whole world is about trying, failing, and trying again, which is fun to watch and learn from. It is, after all, the basic progression of the creative process.
Whatโs your favorite film and/or TV series?
Do ~ 100 Celtics games over the course of a season count as a series? (Editorโs note: Yes, it does!)
If you could collaborate with any artist living or dead, who would it be and why?
Back in college at Nebraska, I made some great friends while working on projects into the wee hours of the morning. Weโre now spread all over the country working in sports. Iโd love to get that group back in a room and see what we could do collaboratively now.
What career and/or life advice would you give your younger self?
Daily effort matters, and it compounds when itโs a focused effort in pursuit of a goal. Prioritize and give effort to what matters most to you because thatโs your competitive advantage. If you enjoy the process and are willing to put in the effort to continually develop skills over time, youโll make it. Try something new. Fail. Keep going!